Islam: The question that changed my life – ex-Outlawz member
Victor Uwaifo tells his own story
Why I am not about to quit - Omoni Oboli
Once I picked up a guitar, I couldn’t put it down - Tarri
I’m coming back to Nigeria even without invitation – Eric Benét
Six minutes with Jonathan Butler
Mahen Bonetti: Why I started African films festival
I never left Law, you can’t leave it – Tosyn Bucknor
Professional dancing: You adapt or die – Cricket
Monalisa Chinda: Motherhood is bliss
Justus Esiri: The village headmaster bows out
‘Outside entertainment, I don’t know where I’d have been’ - Nori
‘Nigeria is such a hard place for show biz’
‘Very soon there’d be high demand for Nigerians in Bollywood’
Payal Rohatgi: How I broke into Bollywood
My misunderstanding with Kennis Music over blown – Kelly Hansome
Catching up with Funlola Aofiyebi-Raimi
Denzel Washington on family, faith and film
‘Sequels are not my cup of tea’
My wife hates my bedroom scenes – Lewis
I’m a sucker for love, says Uru Eke
Faty Ladan: The story that failed to make me unpopular
Why I did a film on Obama’s sister – Branwen Okpako
I want to love again – Kate Henshaw
My divorce story, by Zaaki Azzay
If I didn’t get into films, I’d drive a taxi - Amitabh Bachchan
I once wanted to be a soldier - Bimbo Manuel
My dream is to be fighter pilot - Coker
It’s now I want to start comedy, says Klint da Drunk
I’ll remain relevant as long as I want - Bryan Okwara
Michael Clarke Duncan: 1957 - 2012
Every culture needs stories – Zack Amata
‘Simple, pious life is key to success’
Why I cannot do nudity - Desmond Elliot
We’re not promoting immorality – Sadiq
Eid-ul-fitr: Day of celebration and reflection
Omotola: How my husband reacts to romantic scenes
How Lailatul Qadr (Night of Decree) is observed
Rajesh Khanna: There would never be another like him
Why must Muslims fast in the month of Ramadan?
Detoxifying the body through fasting
I don’t blow my trumpet – Jackie Appiah
Meet Sokoto’s first female Professor of Gynaecology
Parents need to read more – Chinyere
Empress: My father foresaw bad publicity for me
Pryse:What it means to rap for Brits
Nigeria Question: The Price of Niger Delta Oil Money
I want to live a normal life - Vina of BBA
Genevieve now face of Range Rover
I want to put my city, country, continent on world map – Ice Prince
My poetry lives in my music – BaRuQ
Facebook employee writing memoir of company’s rise
Publishers drum up buzz for Achebe’s latest
Divorce in the internet age: It’s complicated
Yusuf Islam on music and faith
‘I sang my soul out, screamed to win’
How I started composing modern Hausa beats – Rabi’u Dalle
Women have been paid their dues in Nollywood - Monalisa Chinda
Rap is competitive for women – Eva
Former beauty queen speaks... ‘Miss Nigeria is just a title’
The last few weeks (as usual) have been full of bad news: the cultists attack in Nasarawa, attacks in Southern Kaduna, continued attacks in the northeast leading to the declaration of emergency rule in Borno, Yobe, and Adamawa. Last week, I talked about the tensions I feel in celebrating film in the midst of so much suffering, but concluded with the thoughts that the multitude of stories coming out of Nigeria are important because they challenge what Chimamanda Ngozi Adichie calls “the single story.” As the griot in the Dani Kouyate film Keita: the heritage of a griot, said “‘Do you know why the hunter always beats the lion in the stories? If the lion told the stories, he’d win sometimes too.’ The logic of the proverb extends even further to the antelope, which is hunted by both the human and the lion. Because when the oppressed, those ‘antelopes’ caught between lion and hunter, tell their own stories and are heard, they have the potential to affect audiences for centuries.”
Category: My thoughts exactly Written by Carmen McCain
The last few weeks (as usual) have been full of bad news: the cultists attack in Nasarawa, attacks in Southern Kaduna, continued attacks in the northeast leading to the declaration of emergency rule in Borno, Yobe, and Adamawa. Last week, I talked about the tensions I feel in celebrating film in the midst of so much suffering, but concluded with the thoughts that the multitude of stories coming out of Nigeria are important because they challenge what Chimamanda Ngozi Adichie calls “the single story.” As the griot in the Dani Kouyate film Keita: the heritage of a griot, said “‘Do you know why the hunter always beats the lion in the stories? If the lion told the stories, he’d win sometimes too.’ The logic of the proverb extends even further to the antelope, which is hunted by both the human and the lion. Because when the oppressed, those ‘antelopes’ caught between lion and hunter, tell their own stories and are heard, they have the potential to affect audiences for centuries.”
Last week, feeling melancholy about the death that seems thick in the air, I visited the vegetable market where I had heard several vendors had lost relatives in Baga. We talk for a few minutes, and then one of them tells me that there is a film being shot down the street in the Jos museum. “Ibro is around,” he says.
Category: My thoughts exactly Written by Carmen McCain
Last week, feeling melancholy about the death that seems thick in the air, I visited the vegetable market where I had heard several vendors had lost relatives in Baga. We talk for a few minutes, and then one of them tells me that there is a film being shot down the street in the Jos museum. “Ibro is around,” he says.
Hits: 205
While writing about libraries and reading culture a few months ago, I remembered one of my closest college friends, Elizabeth Chase, who now has a Masters in Library Science and has been working as a librarian for 9 years. I thought my readers might be interested in knowing how an American library works, so I asked Elizabeth if she’d share a few details about her work. Elizabeth is a Senior Librarian at Frisco Public Library in the city of Frisco, Texas, which has a population of about 130,000.
Read more: A Conversation with American Librarian Elizabeth Chase
Category: My thoughts exactly Written by Carmen McCain
While writing about libraries and reading culture a few months ago, I remembered one of my closest college friends, Elizabeth Chase, who now has a Masters in Library Science and has been working as a librarian for 9 years. I thought my readers might be interested in knowing how an American library works, so I asked Elizabeth if she’d share a few details about her work. Elizabeth is a Senior Librarian at Frisco Public Library in the city of Frisco, Texas, which has a population of about 130,000.
Sunday afternoon, I walk into a restaurant with my parents after church. CNN is on: a feature on the Boston bombers.
Category: My thoughts exactly Written by Carmen McCain
Sunday afternoon, I walk into a restaurant with my parents after church. CNN is on: a feature on the Boston bombers.
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On 15 April when I saw the headlines about the bombings at the Boston Marathon in the United States, which according to CNN online killed three people and wounded 183 others, I sighed. I didn’t even click on the news articles to read the details for several hours. Living in northern Nigeria where bombings and shootings with an even higher death toll hardly make the front page of local newspapers anymore, it was hard to feel anything but numb—a sort of intellectual grief. Perhaps I would have felt more personally affected had my satellite subscription not lapsed and I had been able to watch the 24 hour CNN coverage. When I checked my email later, I saw a post from Egyptian writer and journalist Nadia El-Awady, whose thoughtful blog, From the Inner Workings of My Mind, I subscribe to. She expresses beautifully the tensions of how to respond to a tragedy of this sort in the U.S. when one’s own region has suffered far worse. She has given me permission to reprint her piece this week. - Carmen
Nadia El-Awady
Category: My thoughts exactly Written by Carmen McCain
On 15 April when I saw the headlines about the bombings at the Boston Marathon in the United States, which according to CNN online killed three people and wounded 183 others, I sighed. I didn’t even click on the news articles to read the details for several hours. Living in northern Nigeria where bombings and shootings with an even higher death toll hardly make the front page of local newspapers anymore, it was hard to feel anything but numb—a sort of intellectual grief. Perhaps I would have felt more personally affected had my satellite subscription not lapsed and I had been able to watch the 24 hour CNN coverage. When I checked my email later, I saw a post from Egyptian writer and journalist Nadia El-Awady, whose thoughtful blog, From the Inner Workings of My Mind, I subscribe to. She expresses beautifully the tensions of how to respond to a tragedy of this sort in the U.S. when one’s own region has suffered far worse. She has given me permission to reprint her piece this week. - Carmen
Nadia El-Awady

